![]() ![]() The carriage return is another example of small size. But not often, despite its narrow shape, the entire keyboard is compact so it forces you into a position where your thumb naturally rests near the spacebar. When you start typing fast it sometimes feels like your thumb needs to search for it. Larger portables feel like an imposition after you’ve used the Lettera 32.Ībout the only weakness I see is the ultra-thin space bar. Once you set this machine on your desk, its lower profile design never comes between you and your words. Page after page flies through the platen with ease. This little typewriter is meant for manuscripts. One can see why this is the typewriter of choice for pros like Cormac McCarthy. Make no mistake, this is a professional’s tool, unlike other portables which are designed for the home user who only has the occasional correspondence to knock out. The typebars feel like they can keep up with whatever you throw at them. When you get going on this thing you can really keep things moving. It’s a little boxier and the keys strike a bit easier. It’s definitely a newer, more improved version of its previous self. It’s got all the great lines of an Olivetti and feels like the previous generation Lettera 22. It’s like they’ve shrunk a standard model to pint-sized proportions. The first thing you notice about this typewriter is how compact and solid it feels.
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